On the Yasheng Plastic Arts of Roof Ridge of Guanyue Temple in Quanzhou

Abstract

In the context of the continuous evolution of architecture and the rich diversity of folk cultures, the Yasheng culture embedded in Chinese traditional architecture has gradually come into the public eye and received extensive attention. Historically, there has been relatively little research on people’s understanding of the Yasheng elements on the roof ridges of Quanzhou Guanyue Temple. The profound cultural connotations deeply rooted in religious beliefs, traditional aesthetics, and the wisdom of the ancients, as well as the important symbolic significance of these elements in representing the spiritual sustenance of the local community, require further exploration. To effectively address these issues, this study adopts a comprehensive research approach. It not only conducts in-depth literature reviews, thoroughly examining academic papers, historical records, and monographs related to architecture and cultural studies, but also carries out meticulous field investigations. This paper first clearly defines the concept of Yasheng in the architectural context, categorizes its various forms such as sculptures, carvings, and decorative patterns, and analyzes their diverse manifestations. Subsequently, it comprehensively examines the overall layout, architectural style, and historical background of Quanzhou Guanyue Temple. Then, it delves into the complex craftsmanship and unique design of the Yasheng elements on the roof ridges, exploring the cultural significance behind the distinctive designs of related structures from multiple perspectives, including cultural anthropology, art history, and architectural semiotics. This research can not only deepen the understanding of the traditional architectural culture in southern Fujian but also promote the research on the Yasheng elements on the roof ridges of Quanzhou Guanyue Temple, contributing to the sustainable development of Chinese traditional architectural culture in modern society.